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SEASON
THREE - 1,
2,
4,
5 |
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| THE
SHELTER |
THE
PASSERSBY |
THE
GRAVE |
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Dr. Stockton is collecting water, when
he goes to answer
the door, you can see the large jug that he carries in his right hand is
full. But when he enter
the basement and there's a cut, the jug is now empty.
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Lavinia,
a Southerner, makes a reference to the "Civil War." However,
that term wasn't used by
the South during/after the war, because they viewed
themselves as separate from
the Union and they didn't considered it a "civil" war.
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When
Conny Miller goes to the graveyard at midnight, the sky is exactly the
same when the townsfolk go
to the grave the next morning. There is also a noticeable vertical seam in
the sky background. |
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| IT'S
A GOOD LIFE |
DEATH'S-HEAD
REVISITED |
DEATH'S-HEAD
REVISITED |
| When
Anthony is talking with his dad, he climbs up onto the bed's foot-piece, but
after a close-up of the
father, Anthony is again standing on the floor.
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When Lutze is looking at the detention
building and the camera cuts
to a shot of the building, you can see a crewman in the window, moving out of the
way.
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All
of the
signs in this version of a German concentration camp are in English.
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| THE
JUNGLE |
ONCE
UPON A TIME |
FIVE
CHARACTERS IN SEARCH OF AN EXIT |
| Alan Richards
enters his car from the passenger's
side. While he's moving over to the driver's side, the window is rolled up.
Then, after a long-shot showing
Chad's car driving off, the camera cuts back to Richards, still adjusting
to the driver's seat.
However, the window is now rolled down.
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Mulligan's boxer shorts
have a zipper on them. The problem is the zipper
wasn't actually invented until 1893 and this episode first takes place in
1890. Also, boxer shorts like these hadn't been invented yet.
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A
few flubs here - First, when the major pulls his sword out, the clown
starts making a stabbing motion with his umbrella. But when the major's
sword immediately breaks after
he jabs the wall, the clown is shocked and pulls the umbrella
back. After
a quick shot of the major against the wall, they cut back to the clown who
is now in the stabbing
pose again. Second, midway through the episode,
the clown rips off some of the cord-like material from his pants leg to use
as a
rope, but in the final
shot the material is back on his leg. And lastly, the doll version of the
major doesn't have a mustache, as Windom
did.
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| NOTHING
IN THE DARK |
SHOWDOWN
WITH RANCE McGREW |
TO
SERVE MAN |
| When
Beldon sits up in bed and moves the sheets to the end of the bed, the
reflection of the bed in the mirror shows the sheets are still in the same
position.
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When
Rance McGrew is
transported back into the wild, wild west,
he turns around to view the rest of the bar and sees these two cowboys. Then he faces the bar
to look at the two cowboys next to him, and they're the same actors
that were sitting on the right side of the room.
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In
the middle of Grigori's interrogation of the Kanamit representative, he goes from pointing a pencil at the Kanamit in one shot,
to a quick shot of the pencil being held with both
hands.
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| LITTLE
GIRL LOST |
THE
LITTLE PEOPLE |
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| During
Serling's on-screen introduction, the chalk lines that Charles Aidman makes
later in the episode,
signifying the outline of the dimensional doorway, are noticeable (unfortunately
this screen grab doesn't show the detail all that well).
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Two
flubs here: The scale of the little people's miniature truck in comparison
to their buildings and trees is way off. The truck is shown through a magnifier
in the hand of astronaut William Fletcher as being a tiny thing, but the
houses and tress crushed under astronaut Peter Graig's boots are many more
times larger in scale. Also, when Craig crushes the houses, first we see
the houses as he crushes the two left houses, the camera cuts to Craig, then
back to the houses and the same first house is uncrushed. Obviously, the
same houses were used as props from scene to scene, and although the
others houses were switched around to make the secondary shot look like a
different part of town, crewmen didn't move that first house around.
SEASON
THREE - 1,
2,
4,
5 |
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